The music of this multi-starrer is as global in its influences and execution as can be expected from Rahman and the scale of the film.
Though it suffers a bit from the lack of a strong melody or a catchy, take-home hook or riff, this album is an audacious attempt.
MAMK's music is very Bollywood in its appeal. With the quintessential love song, the sad song, the fun and remix songs, it delivers to the brief.
While the compositions do have considerable merit, Reshammiya's singing and the lyrics in some of the songs spoil the party to great extent.
Everything from casting, art direction, styling, dialogues and music of this dark comedy about a south Indian cowboy is near perfect.
Shankar Ehsaan Loy's music from this Ranbir Kapoor starrer grows on you.
This is music with a swagger. A complete crowd pleaser which has no artistic aspirations.
The music of What's Your Raashee is a case of wasted opportunity.
Pritam fails to score with this jaded soundtrack.
Ram Gopal Varma's thriller makes the television horror shows look classier, more substantial.
Moitra is a man for nuances, and does a good job of evoking the old-world feel.
"Yoga is about acceptance and coming to terms with who you really are, your purest core," says yoga teacher Deepika Mehta. "It helps you shed the layers imposed by society. And in my experience, yoga has helped a lot of people come to terms with their sexual orientation, rather than live in denial."
The strength of Love Aaj Kal, lies in the unhurried pace and the variety in the choice of genres, arrangement, treatment.
Shruti Haasan's Aazma manages to push the album half a notch higher.
What could have been a delightful film with a gorgeous Kareena, Akshay's deadly stunts at the Universal Studios, and a string of guest appearances by Hollywood biggies, ends up a torture.
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